Showing posts with label John Coltrane. Show all posts
Showing posts with label John Coltrane. Show all posts

Wednesday, April 21, 2010

Mary Poppins in a Hurricane


After the divine A Love Supreme, the Coltrane Quartet kept moving forward, radically expanding their range. In 1965 the Quartet released Love Supreme, The John Coltrane Quartet Plays, Ascension, and New Thing at Newport. If A Love Supreme can reside pretty comfortably on most turntables as Classic Jazz, Ascension is the free jazz revolution writ large, with 7 horn players doing the big band thing like it ain’t been done before. It’s in this run of albums that we find Coltrane taking over "Chim Chim Cheree," turning yet another children’s song sung by Julie Andrews toward free jazz. The collective energy of the Quartet is astonishing. And as much as I love Coltrane’s solos, especially when he comes screaming in after McCoy Tyner’s piano solo, it’s Elvin Jones’ cat quick drumming that I can’t take my ears off of.

John Coltrane Quartet - Chim Chim Cheree [buy]

Contemporary jazz giant Joe Lovano has a review/remembrance of this song over at jazz.com.

Saturday, November 7, 2009

Ballad of Birmingham


The mother smiled to know that her child
Was in the sacred place,
But that smile was the last smile
To come to her face.


On September 15, 1963, in Birmingham, Alabama, a bomb planted by the KKK exploded outside the basement of a church, killing 4 black children and injuring 22 people. Many artists have responded to the 16th Street Baptist Church bombing with powerful songs. John Coltrane’s “Alabama,” Joan Baez’s recording of Richard Farina’s “Birmingham Sunday” (both used by Spike Lee in his excellent documentary 4 Little Girls), Nina Simone’s “Mississippi Goddam,” and The Drive-by Truckers’ “Ronnie & Neil.” In 1967 Jerry Moore recorded for ESP an exceptional version of Dudley Randall’s poem “Ballad of Birmingham.” The poem is structured around the (innocent and ironic) contrast between the supposedly safe space of a church and the taken for granted dangers of the freedom marches in Birmingham. But irony and innocence are swallowed whole by the bombing, and we are left with the omnipresence of brutality and death during the Civil Rights Movement.

Jerry Moore - Ballad of Birmingham [buy]
John Coltrane - Alabama [buy]